House Of Spirituals – Everyday

House Of Spirituals – Everyday

 

 

 

 

 

 

House Of Spirituals – Everyday

House Of Spirituals – Everyday

 

 

 

 

 

 

ARTIST NAME:  House Of Spirituals

 

SONG TITLE:  Everyday

 

RELEASE DATE: 8th March 2019

 

GENRE: Indie Pop / Electronic Soul

 

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Tell us how you structure andarrange your song.

When it comes to structure we have an obsession with mixing Motown structures such as the magic 3 repeat with the structures of house music and electronica.

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Discuss how you fix a tempo foryour song.

We generally write the song first and then we do experiment with the grooves at different tempos and check the vocal flows, sometimes when you write something as a really slow song then  you speed it up it takes on a different life and it can change the meaning of the words.

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Elaborate on multi-genre music.

As you can’t reinvent the wheel of music you can only use different spokes we believe fully in mixing genres.

 

We are always looking to put something that doesn’t belong in the track to see what overall effect it has and if it sounds fresh, it stays

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Tell us the best means of reachingfans.

Keep releasing good music.

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Tell us how to develop a lyric to afull song.

Usually it starts with a title, then we decide the concept, then make a chorus hook then work backwards on filling in the detail in the verses

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Tell us how you come up with amelody.

A lot of trial and error, sometimes from my mouth, sometimes from an instrument.

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Tell us your ideal type ofrecording studio. 

One with lots of analogue keyboards, vintage guitars and Casio keyboards.

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Describe the factors you considerin a good song.

How potent the lyric is…

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Tell us how you relate withproducers and music directors.

We self-produce so we argue with ourselves a lot.

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Tell us how you feel after thecompletion of a song.

Like a post sex high.

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Tell us what you will change inyour music.

Always looking for something more emotional and fresh.

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Tell us what is special about thisrelease.

We are releasing one a month to make an album so this is track three of the album.

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Tell us how you overcome obstacles.

Never let anyone or anything stop you, because you are only an ism in this universe so you may as well be happy

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Elaborate on the title of the album.

Rituals – because we used to make our music every Friday night as it was the only time we had to make our own music and this became our ritual every week.

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Share your press release and review with us.

House of Spirituals release their new track ‘Everyday’ as a pure declaration of love, which came about as a happy accident…

 

Newly signed to High Tribe Records, House Of Spirituals make infectious and soulful alternative pop music, which whilst rooted in the Deep South of America, the underpinning contemporary electronics give a forward thinking twist to the aesthetic.

 

The Spirituals have an unhealthy obsession with music that pulls on the soul whilst the machines reprogramme your heart…

 

 

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Anin Rose – No Apologies

Anin Rose – No Apologies

 

 

 

 

 

 

Anin Rose – No Apologies

Anin Rose – No Apologies

 

 

 

 

 

 

Hamburg born, London based singer Anin Rose crafts empowering pop songs with a gospel twist.

 

Having worked extensively conducting the London International Gospel Choir, her compositions are heavily shaped by the choral sound.

 

Having drawn early musical influence from the iconic Alicia Keys, with more recent influence from Emeli Sandé, Anin Rose’s heavily piano-based compositions have been moulded into an irresistible EP scheduled for release in May 2019.

 

Lead single ‘No Apologies’ is a gospel-influenced pop song written by Anin Rose and Anders Hojer.

 

Releasing on International Women’s day, it’s an empowering anthem about finding strength in vulnerability and not being apologetic about it.

 

The emotional magnitude of ‘No Apologies’ is supported by a chorus of female background singers, a key theme throughout her work.

 

Not just the pretty front of an album cover, women are being credited more and more as songwriters, producers or managers in mainstream music.

 

We win double the number of Grammys and remove our high heels on the red carpet. It has never been so exciting to be a woman and be surrounded by women changing the industry and striving for equality for everyone.

 

As a conductor of the London International Gospel Choir, Anin Rose has performed her songs with 80 choral singers, stripping the sound back for a sensational 10 all-female singer performance at her last headline show at St Giles in the Fields in 2018.

 

Having made her choral debut at the age of 19, her love of harmonies marries effortlessly with her passion for pop music as is evident in her recent live shows and live recordings.

 

Having worked recently with Freya Ridings and Jamie Grey, alongside leading performances at the o2 Shepherds Bush, The Southbank Centre and Union Chapel, the intimacy of thought within Anin Rose’s lyrics effortlessly moves audiences of all sizes.

 

‘No Apologies’ might be influenced by the female songwriters who shaped her early listening experiences, but Anin Rose is an artist who simply can’t be pigeonholed.

 

“I’ve been called too tall, too loud and too extrovert. When we wrote ‘No Apologies’ it was like turning those judgements into my actual power and celebrating the uniqueness of each one of us”

 

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Amir – Stolen

Amir – Stolen

 

 

 

 

 

 

Amir – Stolen

Amir – Stolen

 

 

 

 

 

Born in North-London to a Punjabi father and a mother from the midlands, Amir has always had a burning passion for music.

 

Since a young age, music has been the only path for the gifted performer.

 

Starting with the drums, he soon found music; an addiction taking on the guitar and piano. Since then, he’s worked to become the complete musician.

 

Music has been Amir’s life since before he can remember, though it’s not been without its hardships.

 

Working with previous management led to a crisis of identity and a pressure to conform to perceived ideas of “British Asian” artists.

 

It’s a discourse Amir’s glad to see the back of and hopes to inspire others of their individuality as he reveals in a telling interview with The Metro.

 

“The Pressure in the industry of having to cater to “British Asian standards” just doesn’t sit well with me.

 

The Asian Network have helped me get that message across. I’m lucky with my family as they have never pressured me to be something I’m not. But it’s not the same for some of my friends. They have service the family name before they are allowed to be happy, which ultimately messes us all up.”

 

His hard-work and undeniable talent have begun to bear fruit, leading to opportunities to work with Grammy winning producers in the United States and Europe, including Peter and Daniel (Matoma, Galantis, DFA) and Patrick Patrikios (Little Mix).

 

Since starting out as a solo artist, it’s been an emphatic, upward trajectory.

 

 

Tracks like ‘All Or Nothing’ and ‘Drench Me With Your Lust’ were instant favourites with Kiss FM, BBC Asian Network, the latter regularly supporting and shortlisting him as an artist to watch.

 

Soon after, came support from Jo Wiley on BBC Radio 2 and Craig Charles on 6Music.

 

Last year’s singles have also received worldwide support from Spotify’s editorial team, where he’s racked up over 300k streams.

 

Looking to 2019, it’s sure to be the biggest year of Amir’s musical journey to date.

 

The release of his debut album is set for the spring, preceded by a number of outstanding singles.

 

Not to neglect his love for performing, he’ll also be setting out on a number of tour dates including a date at O2 Shepherds Bush.

 

The first release of 2019 is the funk-rich, pop leaning “Stolen”.

 

A statement of intent for the feel-good vibes of the album, it’s unapologetically retro with a contemporary production standard.

 

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